Richard Fox, Head of the Popular Library at Cleveland Public Library, will once again lead the book discussions.
The events are free and open to the public and begin at 3:00 p.m.
Rhodes Tower, Room 503
Michael Schwartz Library at Cleveland State University
1860 East 22nd Street
by Jonathan Franzen
Sept. 15, 2010
Jonathan Franzen's The Corrections has taken the literary scene by storm, from its hilarious portrayal of a dysfunctional American family to its insightful jabs at the rat race of contemporary American life. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is succumbing to Parkinson's disease and dementia, and their children have long since flown the family nest to the catastrophes of their own lives. Desperate for some pleasure to look forward to, Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.
No Impact Man
by Colin Beavan
Nov. 3, 2010
What does it really take to live eco-effectively? For one year, Colin Beavan swore off plastic and toxins, turned off his electricity, went organic, became a bicycle nut, and tried to save the planet from environmental catastrophe while dragging his young daughter and his Prada-wearing wife along for the ride. Together they attempted to make zero impact on the environment while living right in the heart of Manhattan, and this is the sensational, funny, and consciousness-raising story of how they did it. With No Impact Man, Beavan found that no-impact living is worthwhile--and richer, fuller, and more satisfying in the bargain.
No Impact Man is also CSU's Common Reading book choice for 2010/2011.
by Chris Cleave
Feb. 23, 2011
From the author of the international bestseller Incendiary comes a haunting novel about the tenuous friendship that blooms between two disparate strangers - one an illegal Nigerian refugee, the other a recent widow from suburban London. "...immensely readable and moving ...While the pretext of Little Bee initially seems contrived-two strangers, a British woman and a Nigerian girl, meet on a lonely African beach and become inextricably bound through the horror imprinted on their encounter-its impact is hardly shallow. Rather than focusing on postcolonial guilt or African angst, Cleave uses his emotionally charged narrative to challenge his readers' conceptions of civility, of ethical choice"-New York Times.
by Olga Grushin
March 30, 2011
Grushin's stunning debut drew praise that placed her in the top rank of young literary voices. Now she returns with that rarity: a second novel even more dazzling than her first. The line: the universal symbol of scarcity and bureaucracy that exists wherever petty officials are let loose to abuse their powers. The line begins to form on the rumor that a famous exiled composer is returning to Moscow to conduct his last symphony. Tickets will be limited. Nameless faces join the line, jostling for preferred position. But as time passes and the seasons change and the ticket kiosk remains shuttered, these anonymous souls take on individual shape. Unlikely friendships are forged, long-buried memories spring to life, and a year-long wait is rewarded with unexpected acts of kindness that ease the bleakness of harshly lived lives.